Mary Wollstonecraft, an eighteenth-century writer, philosopher, and feminist, hardly needs introductions. The Regency Writings Repository is now enriched of her political pamphlet A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) in which she argues against aristocracy and in favour of republicanism. She invokes an emerging middle-class ethos in opposition to the vice-ridden aristocratic code of manners.
C. E. Brock in Olde Fashioned’s Rendition
There is something uniquely elegant about old illustrations. Charles Edmund Brock should be familiar to many an Austen lover. The editions of Austen’s six novels illustrated by him are now in the public domain, and that gives us new treats.
Olde Fashioned is a young, talented artist who breathed new life in his drawings, turning them into beautiful wallpapers and icons.
The famous letters of Mr. Darcy and Mr. Wentworth were reproduced by her in the Jane Austen font and combined with relevant Brock’s illustrations, in order to create exquisite wallpapers to Janeites’ heart content.
Hannah Cowley in Austen’s The Three Sisters
The Three Sisters is one of the frankest portrayals of “marriage as prostitution” (as Mary Wollstonecraft described marrying for material reasons) within all of Austen’s writings.
Miss Stanhope takes no pains to conceal her motives while negotiating her price:
“You must build me an elegant Greenhouse and stock it with plants. You must let me spend every Winter in Bath, every Spring in Town, Every Summer in taking some Tour, and every Autumn at a Watering Place, and if we are at home the rest of the year (Sophy and I laughed) You must do nothing but give Balls and Masquerades. You must build a room on purpose and a Theatre to act Plays in. The first Play we have shall be Which is the Man, and I will do Lady Bell Bloomer.”
Which is the Man is a play by Hannah Cowley about a fascinating widow who cannot make up her mind among several admirers.
In 1787 Austen’s family considered performing it at Steventon. Although other plays ended up being performed then, Austen was well familiar with Cowley’s plays, and quoted lines from them in her letters.
You can read it in Austenette’s Repository. Follow the link Which is the Man
Easter in Pride and Prejudice
Austen chose Easter for the most significant turn in Pride and Prejudice.
Darcy comes to Rosings around Palm Sunday (likely Monday, since Darcy, unlike Mr. Elliot, wouldn’t travel on Sunday), that commemorates the triumphant entry of Jesus into Jerusalem in the days before his Passion.
There are quite many views of this blog now. For some time the number has oscillated between 300-500 views a week. It’s nice to see it grow, and it’s nice to see that there are at least 40 views daily, and sometimes even over 100. Nonetheless, it’s sad not to know who’s reading. The numbers always seem virtual when not linked to a nick or name.
I thought I can be guilty of the same. There are quite many blogs I follow regularly but don’t always comment on them. Or rather, I’m the kind of person who posts mostly to disagree about some tiny detail, while forgetting to compliment on the whole, or even worse – to post anything when I agree with the entire post.
Although I’m not sure I can change my nature, and as a Pole I’m in general not a very apprising person (famously, Poles speak only to complain), I thought I could redeem myself at least a bit by posting links to my Netvibes.
These are the blogs related to Jane Austen and to the Regency era I follow faithfully.
Thank you all for your great work! Your blogs never cease to entertain and provide food for thought.
Elizabeth’s Love for Darcy: Holy Matrimony
When talking of love it is important to define the word. Is it emotion, feeling, decision or all of the elements? According to some Christians i.e. Anglicans and Catholics four kinds of love must be present for the Holy Matrimony to be valid and complete. I’ll try to explain, on their example, Elizabeth’s growing love for Darcy in Pride and Prejudice.
Woman in Love
There is a lot of confusion as to when and why Elizabeth Bennet fell in love. (See this post at Austenprose and subsequent comments for example, but it’s only one of many such opinions.) This post is to show that the reason of it does not come from any imperfection of Lizzy’s affection or Austen’s writing, but rather our modern notions that downplay the significance of love.
Courtship According to Samuel Richardson
In Rambler 97 Samuel Richardson argues in favour of the course of courtship of his own youth. It is interesting to see how much the mores had changed between his times and those of Austen.
Austen famously paraphrased his words in Northanger Abbey:
for if it be true, as a celebrated writer has maintained, that no young lady can be justified in falling in love before the gentleman’s love is declared, it must be very improper that a young lady should dream of a gentleman before the gentleman is first known to have dreamt of her.
It is likewise significant to note that no positive hero of Austen’s ever seeks the lady’s family’s approval for courtship or asks for her hand before her own consent is given. Such a kind of behaviour is left to men like Mr. Collins or Henry Crawford.
You can read the Rambler 97 in The Repository.
Relevant posts at Austenette:
Rambler 97 by Samuel Richardson
Woman in Love
How Much Mr. Bennet Hasn’t Saved
Melissa Renee’s thoughtful series about Mr. Bennet and the Entailment touches upon an important issue of Mr. Bennet’s pushing his responsibility for his family onto the next generation, instead of actually taking the effort of securing the future of his wife and daughters.
Moreover, in her second post in the series she points out that if he saved only Ł100 a year, that is one twentieth of his yearly income, he’d arrive at extra Ł2,300 for his daughters by the beginning of Pride and Prejudice.
That got me thinking, and actually it’d be even more. If he saved Ł100 a year but didn’t use the interest, after the first year it’d be just extra Ł4, but if he left it in the bank the interest would grow and bring additional percentage from interest.
The Blue Coat
While it’s not news that blue coat was fashionable among young men of Austen’s era, not everyone might be aware that it was due to Goethe’s influence.
In The Sorrows of Young Werther we read:
It cost me much to part with the blue coat which I wore the first time I danced with Charlotte. But I could not possibly wear it any longer. But I have ordered a new one, precisely similar, even to the collar and sleeves, as well as a new waistcoat and pantaloons.
But it does not produce the same effect upon me. I know not how it is, but I hope in time I shall like it better.
Defoe on The Education of Women
I uploaded Daniel Defoe’s short essay on The Education of Women. The more of his works I read the more I wonder whether Austen in particular was influenced by Defoe, or just everyone was, and so the ideas present in his writings were generally embraced by the time Austen was born.
In this Defoe argues in defence of female education, bringing arguments, including a great deal of reading, that make one think of Elizabeth Bennet.
Regency Writings Repository
I created the Regency Writings Repository for original texts written during and before Austen’s times. It will be a sub-Austenette blog, since I consider the prose, poetry and non-fiction (philosophical essays, conduct books) of her era a key to understanding Austen.
I hope you’ll find it interesting and useful. I’m going to write commentaries as I add to the list.
Forefathers’ Eve, Part II by Adam Mickiewicz
I posted my loose and shortened translation of Adam Mickiewicz’s Forefathers’ Eve, Part II. If you’re interested in Polish romantic writings the page additionally includes some information about the author and his views.
Did Austen want to prove Geothe wrong?
…I told them my very best tale of the princess who was waited upon by dwarfs. I improve myself by this exercise, and am quite surprised at the impression my stories create. If I sometimes invent an incident which I forget upon the next narration, they remind one directly that the story was different before; so that I now endeavour to relate with exactness the same anecdote in the same monotonous tone, which never changes. I find by this, how much an author injures his works by altering them, even though they be improved in a poetical point of view. The first impression is readily received. We are so constituted that we believe the most incredible things; and, once they are engraved upon the memory, woe to him who would endeavour to efface them.
The Sorrows of Young Werther
It’s time to sum up the year. This blog was started on July 24, 2008. Since then it was viewed 4,755 times, the best day being September 18 with 159 views. The number of posts so far is 17 (not counting this one), with 35 comments in 13 categories, and 46 spam comments caught by Askimet (who knows what was there?!). Additionally there are 6 pages created.