Barbara Britton Wenner analyses Austen’s use of nature in her novels and Juvenilia. Nature and culture, female and male, and submissive and oppressive elements are juxtaposed in order to show how the heroines’ relation to nature enhances their experience and gradual self-recognition.
Thankfully the author doesn’t attempt to prove that Austen had one and only proper model either of nature, picturesque or estate, but rather moves above the usual discourse, demonstrating instead how freely and confidently Austen used the late 18th century concepts of landscape in order to show danger or refuge, and desirable or dreaded situations and characters. It’ll help you to better understand both the idea of picturesque and Austen’s novels.
The book is expensive, but likely available from your library. However, if you can afford it, it’s well worth having. Check it either at Amazon UK or Amazon US.
At the beginning of the 18th century arranged marriages were the norm, but by the end of it they fell out of favour with nearly everyone, the upper class excepted. Family’s interest stood in opposition to Christian morality. Marriage should be for love, because it’s instituted by God, and not by any civil contract. Anglican marriage is a lesser sacrament, and its only condition is the mutual vow of love. One can lie and sign any papers, but one cannot possibly cheat God or hope that God would bless what is an abuse of the sacrament He instituted.
In fact the romantic notion of love and marriage revived because people became more concerned with religion than they were in the 17th century. Yet, it doesn’t mean that they ceased to care about the prudential aspect of it. Parents took care that their daughters met only those gentlemen they could marry without degradation. In other words they were free to fall in love with the men they knew, but the group of the men they were allowed to meet was limited in advance.
Some time ago I wrote a post about Chevening Park being considered the model for Rosings Park. Now I came across another JASNA article by Joan Austen-Leigh, claiming that it was Godmersham Park. I absolutely love all the speculations, even though I assume that Austen would be creative enough to build a house in her own imagination rather than copy an existing one. If you ask me Rosings would be more showy.
However, it’s always interesting to see the old houses, since they provide examples of the norm back then. For more information and pictures from Godmersham House see Chris Coyle’s article in Jane Austen’s Regency World.
There is something uniquely elegant about old illustrations. Charles Edmund Brock should be familiar to many an Austen lover. The editions of Austen’s six novels illustrated by him are now in the public domain, and that gives us new treats.
Olde Fashioned is a young, talented artist who breathed new life in his drawings, turning them into beautiful wallpapers and icons.
The famous letters of Mr. Darcy and Mr. Wentworth were reproduced by her in the Jane Austen font and combined with relevant Brock’s illustrations, in order to create exquisite wallpapers to Janeites’ heart content.